Please check this webpage for the most up-to-date information.
Course enrolment begins on Monday, March 2, 2026 at 9:00 ET.
F courses run May - June, 2026
S courses run July - August, 2026
Group B: Genre and Modes
CIN220H1S - Animated HorrorMore information to come. Day and time: Tuesday and Thursday 10:00 - 14:00 |
CIN321H1S - Laughing Ourselves MadMore information to come. Day and time: Monday and Wednesday 10:00 - 14:00 |
Group C: Social and Cultural Practices
CIN240H1F - Global Film MusicalMore information to come. Day and time: Monday and Wednesday 10:00 - 14:00 |
CIN340H1S - Film CensorshipMore information to come. Lectures will be available only as online synchronous at their scheduled times. Assigned film and media will be available for students to view online asynchronously. Students will be expected to watch assigned films and media prior to class meetings. Students must have a computer with a microphone and camera in order to participate in online activities. Day and Time: Tuesday and Thursday 19:00 - 21:00 |
Group D: Theory and Criticism
CIN260H1F - Brain Rot CinemaMore information to come. Lectures will be available only as online synchronous at their scheduled times. Assigned film and media will be available for students to view online asynchronously. Students will be expected to watch assigned films and media prior to class meetings. Students must have a computer with a microphone and camera in order to participate in online activities. Day and Time: Monday and Wednesday 19:00 - 21:00 |
CIN360H1F - Sound in CinemaMore information to come. Day and time: Tuesday and Thursday 10:00 - 14:00 |
Group E: History and Nation
CIN378Y0 - Aspects of a National Cinema: Black BritainThis course is offered through the Summer Abroad program. Please refer to their website for details. This course explores Black British cinemas while examining categories of race and nation specific to post-Imperial Britain and its Black diasporic subjects’ world-making. Institutional practices and networks that have shaped the development and aesthetics of Black British film culture from the 1960s to the present, will be highlighted, when, in the words of Stuart Hall, filmmakers sought to “find a new language” to challenge post-war norms and culture that led to seismic shifts towards imagining postcolonial Britain. Studying Black British media on UK soil offers the opportunity to be immersed in the cultural ethos of Black Britain. We will experience locales and re-visit histories that, in part, inform deeper understanding of the unique film and moving-image practices under study. Topics will include London as a postimperial migrant city, “political Blackness,” Black Power and black music’s transnational remit, Black film collectives, among other topics. Media objects will range from documentary, Art cinema, television, to moving image installations. Day and time: TBA |